Thursday, May 21, 2026

Evangeline

"Beautiful is the land, with its prairies and forests of fruit-trees; 
Under the feet a garden of flowers, and the bluest of heavens 
Bending above, and resting its dome on the walls of the forest. 
They who dwell there have named it the Eden of Louisiana.”


"


Fuller of fragrance than they, and as heavy with shadows and night-dews,

Hung the heart of the maiden. The calm and the magical moonlight
Seemed to inundate her soul with indefinable longing;
As, through the garden gate, and beneath the shade of the oak-trees,
Passed she along the path to the edge of the measureless prairie.
Silent it lay, with a silvery haze upon it, and fire-flies
Gleaming and floating away in mingled and infinite numbers.
Over her head the stars, the thoughts of God in the heavens,
Shone on the eyes of man who had ceased to marvel and worship,
Save when a blazing comet was seen on the walls of that temple,
As if a hand had appeared and written upon them, “Upharsin.”
And the soul of the maiden, between the stars and the fire-flies,
Wandered alone, and she cried,—“O Gabriel! O my beloved!
Art thou so near unto me, and yet I cannot behold thee?
Art thou so near unto me, and yet thy voice does not reach me?
Ah! how often thy feet have trod this path to the prairie!
Ah! how often thine eyes have looked on the woodlands around me!
Ah! how often beneath this oak, returning from labor,
Thou hast lain down to rest and to dream of me in thy slumbers!
When shall these eyes behold, these arms be folded about thee?”
Loud and sudden and near the note of a whippoorwill sounded
Like a flute in the woods; and anon, through the neighboring thickets,
Farther and farther away it floated and dropped into silence.
Patience!” whispered the oaks from oracular caverns of darkness

Longfellow, Evangeline 

Sunday, May 10, 2026

Medicines I made in early May

First thing I did this morning was to collect the rain drops off of the gardenias, making a gardenia water that smells like perfume. 
Cherry bounce with wild fruit gathered in St. Landry Parish Louisiana
Perfume sprays: bee balm, baume et vinéraire, life everlasting
Dried baume in my journal
Cinnamon and clove alcohol
Lavender oil alcohol
Gardenia enfleurage oil from the gardens 
Lightening pine sap 
Clearest swamp rose hydrosol before I left for New Orleans

Saturday, May 9, 2026

Things I found in the prairie after the rain

Various white and black glazed ceramic

 Knapped blue glass

Blue crawfish claw

Heavy polished black stone

Friday, May 8, 2026

First Cherries

I went and picked cherries on the tree line. I saw a mockingbird in the cherry tree and we exchanged some unpleasantries. There are three cherry trees in the Sacred Heart tree lines that I know, and they are growing among fragrant cherry laurels, chasseparaille, wild grape vines, pecans, hackberry, and elderflower bushes. Today there was a light drizzle paired with the smell of bonfire out on the blue coteau. There were nettles gone to seed underfoot with no sting. I picked cherries until it started to really rain. I stored them in an empty plastic apple I got for teacher appreciation. 

I gathered there, at home and also along the Bayou Fuselier Road. I reviewed the name of wild cherry in Choctaw italikchi, doctor tree. Tomorrow I plan on checking my other trees and researching the uses of the cherry leaves, bark and root after Marius' first communion. 



Lightening Pine



In the storms this afternoon lightening struck very close to the Sacred Heart. I was standing in the first grade classroom admiring their fairyland village of cascading vines and paper mâché houses when the bright lightening flashed through the windows along the gallery and thunder boomed, shaking the coteau under our feet. We screamed and huddled together; it was so close! I started singing Oh les trains quand ils jubutaient by Cesar Vincent to the girls. 

I wondered if it was at my lightening pine again, the tallest and biggest in the pine alley, less than a hundred feet from our 204 year old school building. I check it almost daily since it was struck last year. The injury left is a long open vein in the bark that exposes the weeping sapwood. It produces the clearest tears of sap, like amber pearls at the seam. I've spent the last year collecting the clear suspended drops from this injury in miniature jars. I remember being so interested when it was struck because I knew it would open a wound that would give. I felt that the sap was now charged with a clear electricity.  Since then we have observed the tree healing itself again. The bark can be read. There is an identical scar around the other side that is sealed up with decades of bulbous resin that sometimes form balls that fall at the base. I collect them as curiosities for our knick-knack shelf in class. I found one today. I have taught my girls about tree medicine.

In the light rain after the storm I wandered out onto the wet grounds to check the great pine and found it had again acted as sentinel, channeling the electricity through the sap and down into the holy coteau, a lightening rod protecting the entire campus. 




Sunday, May 3, 2026

Ashlee Wilson of Prairie des Femmes

 Ashlee Eastin Wilson is an artist, musician, writer, Cajun radio announcer and teacher from Ville Platte, Louisiana. She is an autodidact in Louisiana (Cajun/Creole) French and is known for her documentation of the folklore of her native Evangeline Parish and the locale Prairie des Femmes in Saint Landry Parish where she lives.

Ashlee Wilson was raised in Ville Platte, Louisiana and graduated from the University of Louisiana at Lafayette in Secondary English Education. An anglophone by birth, she became fluent in French by attending University Saint Anne in Nova Scotia. She is a diarist and draws endless inspiration from hundreds of handmade seasonal journals and books that she createsShe taught English literature and French for over a decade in the Louisiana public school system, namely Beau Chêne High School and the Academy of the Sacred Heart at Grand Coteau. With grants procured by her French student’s work, she was able to furnish her classroom with sets of the Dictionary of Louisiana French as well as other cultural titles. 

Ashlee dedicated years to careful documentation of the radio program La Tasse de Café on 92.5 KVPI, transcribing stories, local folklore, word play and herbal remedies, as well as modern commercials and snippets of modern Louisiana French life. This work culminated with being hired by KVPI as the youngest female host to announce the news in French, the Tasse de Cafe Radio Program, and even hosting the world-famous Saturday morning French broadcast from Fred’s Lounge in Mamou. The written and recorded documentation from these years serves as the source for her current work in self-taught folklore. Additionally this work prepared her to act as the French announcer for “Bonjour, Louisiane” a morning French music and news program at KRVS in Lafayette, Louisiana. She replaced the long-time host Pete Bergeron who initiated the program and held the position for 40 years. 

She served on the board of directors for the Council for the Development of French in Louisiana (CODOFIL) from (2009-2012) and as a Louisiana ambassador to the Centre des Francophonie des Ameriques in Montreal in 2010.

In 2012 she began the Prairie des Femmes blog that became an early online resource for authentic information about Louisiana language and culture. The blog began as daily documentation of the place known in French as Prairie des Femmes (Women’s Prairie) and research on the origin of this place name. It grew to include photography, memes, writing, French transcriptions, recordings, folklore, music, lessons, and more. It was one of the first websites to offer visual media in Louisiana French and incorporate local folklore and music lyrics into modern media for a younger audience wishing to learn.  Ashlee uses her knowledge of modern American culture and blends it organically with the archaic knowledge found in Louisiana French. She has served the community by providing bilingual announcements at the Lafayette Regional Airport, translating the Opelousas Travelers Guide to French, appearing on radio and podcasts such as Louisiane en Vers and Charrer Veiller, and by hosting the monthly French table in Opelousas as well as the Arnaudville French Table at Nunu's. 

As a writer she has created hundreds of hand decorated journals in Louisiana French, as well as dozens of niche zines. She has published as a guest columnist in local papers such as the Advertiser, Advocate, The Current, Les Bonnes Nouvelles, New Orleans Magazine and Acadiana Profile. Her work has been featured in 64 Parishes, Bitter Southerner, Oxford American, Country Roads Magazine and the New York Times. She published her first work ‘Ô Malheureuse’ on UL Press in 2019, a first of its kind collection of modern Louisiana women’s writings in French. The collection began on the PDF blog and was published by UL Press and released in time for the 2019 Festival Acadiens and Creole dedicated to the contributions of women in Louisiana music.

As a photographer, Ashlee has self published three books, The Plains of Mary, a photo book of Marian yard shrines, Prairie des Femmes: Portraits of a Place, a collection of surreal photographs from the countryside of Acadiana, and finally A Prairie des Femmes Field Guide, a collection of art and writing from the PDF blog. Her work has been featured in Louisiana Cultural Vistas, 64 Parishes, and she has shown her photographs with photographers Denny Culbert and Jo Vidrine. She had thirty of her photos shown as part of Frank Relle’s New Orleans in Photographs exhibit in Moscow in 2014. Her work has also been recognized by photographer Zack Smith’s project « My Louisiana Muse » as well as Nick Slie’s « Cry You One. » In June 2024 her land work, as well as her work with the rare medicinal plant vinéraire was featured in Monique Verdin and Rachel Breunlin's Botanica exhibit at the Cabildo in New Orleans.

Her family and home were featured in the Home and Garden Section of the New York Times in 2012. As recently as 2021 her work was featured by National Geographic and in a documentary that won the CreateLouisiana culture grant, Intention, by Olivia Perillo and Syd Horn. It is a film project that seeks to explore the untold feminine narratives of Cajun and Creole artists and healers.

She is a musician, well known in south Louisiana as a professional triangle player. She also sings and writes in Louisiana French, incorporating modern music with that from the Cajun and Creole archives. Her first original song ‘Maison Blanche’ released on The 78 Project in 2014, and in 2020 Nouveau Electric Records released her ‘Trois Rangs’ on 45rpm vinyl, remixed by Korey Richey (LCD Soundsystem). She has played triangle on the recent PBS documentary American Epic.

In 2024 Ashlee's work for the Prairie des Femmes was included in the exhibition Botanica at the Louisiana State Museum at the Cabildo in New Orleans. In 2025 she showed her paintings, journals and plant research with the medicinal known as vinéraire in Prairie Stories, a collaborative show at the Acadiana Center of the Arts in Lafayette, Louisiana. Prairie Stories  featured a collection of artists and their work on the folkloric and environmental realms of the Louisiana Prairie.  She has spoken at the Louisiana Folklore Society meeting on the Prairie des Femmes Blog and digital folklore, as well as at the Bayou Culture Collaborative meeting where she spoke on her ethnobotany research. Most recently in May 2026 she presented in the Folklife Village's Past to Pixel tent which featured digital folklore
at the New Orleans' Jazz fest.

As of 2023 Ashlee is the lower school French teacher at the Academy of the Sacred Heart in Grand Coteau, Louisiana. In August 2024, she began leading the Arnaudville French Table at Nunu's Cultural Center. 

Ashlee raises her sons in the Prairie des Femmes. 


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