Monday, June 22, 2026
Map at the Hive with Mr. Olan 1854


I spoke to Mr. Olan Thibodeaux at the old Hive as I was looking at this map leaning against the wall. He said it was his map, he had given it to the community coffee shop. I spent a lot of time looking at it and photographing it, and Mr. Olan mentioned that it was curious how many women were land owners in the Prairie des Femmes.
Sunday, June 21, 2026
Black Spear Point- Olivier Site
I'd spent a decade or more walking what used to be a mound, now plowed a few times a year, called the Olivier Site. I am friends with the daughter of the owner of this field, which rotates soybeans and sorghum. I monitor this field. It was a prehistoric stone working place at the very edge of the Teche escarpment. The first artifacts I found there were scores of knapping shards, still very fine and sharp after all these years. They were multicolored, and since rock doesn't exist naturally in this prairie delta the imagination wonders to the origins of the white, blue, black, grey and red stone chips. Finding each one was thrilling for me.
I had been told that the neighbors found many artifacts in that field, but I never found more than the knapping pieces and maybe a small broken point or two. They are concentrated on the north edge of the rise of what used to be a great mound.
One day in 2019 I was walking the field as usual. I had never found a full artifact before. I found a white marble that reminded me of the full moon and some knapping and ceramics when all of a sudden I saw a piece of bone in the soil. I don't know what kind of mound was here before, but its likely it was burial. I picked up the piece of broken bone and just held it, out there in the field. It was leg or arm. In that moment I heard in my head, "You're going to find a point." I walked three steps and there was the black spear point on the dirt.


Tuesday, June 9, 2026
Monday, June 8, 2026
Saturday, June 6, 2026
PDF Wiki

Friday, June 5, 2026
Prairie des Femmes

Sunday, May 31, 2026
Lila Grace Journal with the Plastic Pouch

Subjects covered in my Lila Grace spiral journal with the clear plastic pocket on the front that my nanny gave me for Christmas that I wasn't sure that I'd use but now I can barely part with:
January 12 2026-
1 page of prep for Louisiana Folklore Society Meeting
The PDF blog was begun anonymously as an online representation of a liminal-real place
Feb 23
Notes on the Bayou Culture Collaborative presentation
Sacred Heart Faculty Retreat, notes and quotes by Sister Karem, RSCJ
The spirit drove Jesus into the desert.
Seeds that God has planted will sprout.
March
Planning Notes for Jazz Fest demonstration
"Je t'espère comme j'espère le printemps"
Narrative
Yeat's muse Maud Gonne
I saw Chiron on the PDF road
Houston Color Factory confetti, ephemera, still holds the audio to Solange's "Losing You"
Things in which he was present in the Houston Museum of Natural Science
Poetry/narrative
April
La Semaine Sainte at school
pearls of sap, a racine-coeur par Ariste
"Every writer gets a toothache, it's a threshold." Shome
Comment on a nettoyé le poisson avec de la mousse espagnol
A note from Sarah H when she gave me fresh eggs
A blue runner in the garden
"Walt Whitman on the moon" article
Rose de Marais, symbolism of the Prairie des Femmes
"Baton Rouge owes its name to the Houma tribe" article
"Sometimes I dream to the beat of Carolina" Calico Jim
Music recital paper for the boys
A blue runner in the cardinal nest
Prep list for Jazz Fest folklife village
Abyssus abyssum invocat
Notes on Jazzfest, names of people I met there
"Sacred is Secret"
The relationship between Mary Magdalene and mamou seeds
May
Swamp Rose hydrosol
Notes on Chikashshanompa
Printed notes on Florida Ethnobotany
Narrative and notes on water birds, bee balm
A dream of a tent
Ahalla'ta'
List of Chickasaw names for native plants I use
Narrative on first cherries I picked
Laudate Chrism essence
A may-haw sweet dough pie at Congé
Meeting with a beekeeper under the oaks, he was poisoning black invasive bees
Berchman's ground breaking ceremony on the coteau
Printed List of my 40 Zines
I spoke the old languages to the cherry tree
Notes on ephemeral perfumes of rainwater and gardenia, roses from the Sacred Heart gardens
Notes on the Cajun Prairie by Malcom Vidrine
We'd go to Pictou Island and we'd sleep
Notes on the Arnaudville French table and Dr. Barry Ancelet and Jean Arceneaux's new book Jamais Assez de Becs
"J'aime voir la marque sur la page" il dit
"Even the idea of prairie was lost...the prairie as a long disappeared idea." Vidrine
Catalpa Tree notes
A seal from Mal's letter
Poetic block list of assorted characters
Creole Magic Fishing lure
Billy's pepper jack boudin ball and roll up stickers
Bob Borel's Mom Mom's The Sacred Ordinary
Barras, Eastin and Labbe' Notes from La Table de St Martinville
Dried tarragon from Tante Moune's garden
Red Shoes Meeting notes
Lewis and Clark's notes on October 16th, Women's Creek and Girl's Creek

Tuesday, May 26, 2026
C.C. Robin
“Crossing the wide prairie, strewn with flowers, whose stems raise them to the height of the horse on which the traveler is riding, surprise follows surprise in this varied vegetation. One rides suddenly upon herds of cattle, who raise their haughty heads above the grass as one rapidly approaches.” (Robin (2000)).

Monday, May 25, 2026
Meche-Wilkes Mound
The Meche-Wilkes Mound, is located near Arnaudville on the periphery of the Atchafalaya Basin on the edge of the Pleistocene terrace. This site has been protected by the landowner and is relatively undisturbed. Gibson conducted excavations at the Meche-Wilkes Mound in 1990. The site contains deposits dating to the Poverty Point, Tchefuncte, Baytown, Plaquemine, and historic periods (Lousiana State Site Form).
The Anthropology department came across an historical discovery in '89, revealing some history of Acadiana. Archaeological excavations at Meche-Wilkes mound near Grand Coteau by USL archaeology students confirmed the earthen mounds were built by the Acadiana's native people during the first pre-Christian millennium. These mounds were used for cooking during the era. Lonnie Utley USL's L'Acadien 1989
Sunday, May 24, 2026
On the Olivier Site and Meche-Wilkes Mound
Jon L Gibson
Cultural Resources Survey of Four Disposal Areas Along the Vermilion River Lafayette Parish
Cultural Resources Survey of Four Disposal Areas
Back Field Habitation
This field where we settled over 20 years ago never seemed physically special but there was a presence here. It's a leached sweet potato field out in the center of the open prairie, near the oxbow woods as I called them. It was not on the bayou. There was no important earth works, inclines or mounds as there are in other places in the prairie. The neighbors have found buckets full of artifacts: spear points, grind stones and stone tools. I know of the three prehistoric sites in the prairie including the Meche-Wilkes Mound and the Olivier site, but they are a half mile away from here. For years I have walked looking at the ground and feeling the subtle undulations, but never suspecting that there had ever been anything here besides farmland and pasture.
I had found ceramics. Years ago we surmised they were spread to aerate the soil for farming. Maybe they were spread in a flood event. Either seemed plausible. Maybe more plausible than there being a homestead in the exact spot that we chose, ten acres back off a gravel road, near haphazardly and only because of its proximity to a lone cypress in the tree line.
I found delicate things in the earth though, the curl of a blue and white fleur de lis, doll arms and legs, pieces of plates, bricks, thick crocks and milk glass. Still, with our position back here I could hardly imagine there had been habitation so far off of the dirt road. There were no paths or racourcis that I knew of crossing the prairie. Still I got the message that there was memory back here, both recent and ancient. Then one day in the carrot patch I found a real rock in the shape of a perfect heart.
In the east yard we plowed some rows to plant coton jaune, native brown cotton. After it rained I would inspect the exposed ground along the rows. I found another stone, but this time it seemed to be a hand tool for grinding or hitting. There was a worn tip and slight indentions along the sides that fit my thumb and fingers perfectly. I marveled at its weight and ergonomic feeling in my hand.

Sometimes when I walk the field, or even recently when I turned over a little dirt out there, I still find white ceramics and strange rocks, sometimes blue glass that looks knapped at the edges. The more I let the prairie grow, the more old plants appear that tell of use. The more I dig, the more is unearthed. I tell myself if there was a home place here it would have been in my east back field according to the evidence, but it still doesn't make sense. Not to mention how ironic it would be to have built in the same place. On the other hand, it does makes sense to me, because there is a tangible presence back here that is pleased to be remembered.
Recently I was going through some old topography maps online of the area and something caught my eye: a few black squares denoting domicile on the 1940 topographic map, far back in the prairie. Intrigued, I doubted it was far enough to be my field. But I used the overlay tool to match up the road and other landmarks with satellite maps, and discovered to my surprise that they were located at the end of my driveway, flanking both sides of my house, in the exact place where I find the ceramics in the backfield.

Saturday, May 23, 2026
The Dome of the Prairie
The prairie has a memory and it echos like a dome. I first felt it when I was alone out here at night, in a pull camper, waiting. I'd sit at the table, the light from the sliding glass door created a halo of illumination that terminated at the long grass, where I perceived its rustling as large animals passing in the darkness.
The pre-Katrina nights out here I was afraid of the wilderness of this place. It was the camp. I was never sure how near or far I was from civilization. I stayed quietly in the camper, barely wanting to alert the prairie of my presence. But the Tuesday New Orleans flooded, like so many others, I fled north and took refuge in the prairie like no other place before. The long gravel road was my moat, the orb of light in the field around the camper became my world, the safest place in south Louisiana.
We planted the prairie edge with a ring of thousands of native trees: sweet gum, live oak, cypress, persimmon, pecan, mulberry etc., keeping the center pasture open in different rotations. The trees created a little wood where we maintained a path, and formed a semi-circle around the perimeter of the property. The higher the edge trees grew, the more my prairie view was obstructed, but also the more the birdsong echoed within the dome of the prairie. I sat at the base of the cypress tree and imagined the life I would lead here. Somewhere, floating in the air above the prairie ground were the rooms of a castle-home not yet built, where I would live blissfully, conceive and become a mother, raise my children, where I would birth this very blog and all of the notions in it, where I would deny myself the world for the protection of the prairie.
I became one with this place, instinctually returning all fertility to her ground. It's here where my children's nombrils are buried, under a live oak in the western yard. I ate the flowers and fruits and roots produced here. I gathered and made medicines daily. I made perfume oils and sprays of the prairie flowers and balms with the pine sap. I caught rainwater and collected dew on resonant days. In the late afternoons in fall, I could hear a faint rumble, like thunder, of the Beau Chene drum line echoing in the dome. The prairie remembered drums.
I settled into the natural law of this land. We grew and lost both plants and animals without getting too sentimental. We allowed nature to rule, even a little wildly. Out of this natural kingdom many realms were born in me. We planted gardens but I never had a green thumb. It was the native plants that resonated because they were not reliant on me, except for my understanding of them and their environment and my dedication to their growth and protection. As time when on plants like honeysuckle, chassepareille, elderflower and blackberry crowded themselves through every crack of the fence, waving wildly to be noticed, to be made of use, and I listened.
There was an unassuming charm here at prairie, an enchanted, forgotten country east of Opelousas. It was in the juxtaposition of her beauty and humility, of how she is treated now, and the dignity in the story of who she was before. She remembered the millennia of seasons, and despite the modern agriculture, the cutting and poisoning and the forgetting of the old ways and the old languages, the plants remembered the cycles and seeds still remained in the ground who, despite the loss of so much rhizome, also remembered how to grow, especially after a prairie burn.
There was information in the silence and the space that I lived in, the movements of the plants and animals, the sunrises and sunsets, the position the moon rose at different phases adn in relation to the cypress tree. Sometimes when the prairie sky domed around the edge trees I could feel the different birdsongs that echoed within this protectorate. Slowly I learned that language, too.
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| My red ballet flats with prairie dirt in the camper, 2004 |
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| Decorations of dog fennel and a bottle of red liquid we found in the house, room party 2004 |
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| Me and Paul in the orb, 2005 |

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