Saturday, December 14, 2024
Thursday, December 12, 2024
Wednesday, December 11, 2024
Tuesday, December 10, 2024
Monday, December 9, 2024
Saturday, December 7, 2024
Thursday, December 5, 2024
Sunday, December 1, 2024
La Veuve de Musicien
La balance de la vie
Devient les restants
C’est nous qui reste
Quand les hommes sont gone
Le dernier bout c’est la veuve du pain
Mais moi j’suis la veuve d’un musicien
Saturday, November 30, 2024
Tuesday, November 26, 2024
Comme la Femme dit
From the Egyptian Book of the Dead Chapter 94, Prairie des Femmes Journal 2-2016, Tomb of Nefertari #pdfjournalaew
Monday, November 25, 2024
Sunday, November 24, 2024
Thursday, November 21, 2024
Sunday, November 17, 2024
Saturday, November 16, 2024
Friday, November 15, 2024
Wednesday, November 13, 2024
Monday, November 11, 2024
Sunday, November 10, 2024
Tuesday, November 5, 2024
Sunday, November 3, 2024
Ville Platte Girl
Tuesday, October 29, 2024
Monday, October 28, 2024
Maison Blanche
Moi je reste dans un mobile home
Mais tous les soirs je rêve de ma maison blanche
Moi j'ai une femme et un ti-garçon
Et j'aimerais les mettre dans ma maison blanche
Moi j'veux pas d'être president
Mais j'aimerais rester dans ma maison blanche.
Moi j'veux pas d'être le president
Mais j'aimerais rester dans ma maison blanche.
Ma Maison Blanche
Thursday, October 24, 2024
Tuesday, October 15, 2024
Il était une fois dans la Louisiane
Saturday, September 28, 2024
Les signes de l'automne
Sunday, September 15, 2024
Origin of Grand Coteau
Grand Coteau, La.
The origin of Grand Coteau dates back to 1821, when Sieur Charles Smith, a large land owner in this section, donated land to the church for a convent. The convent was founded by Mother Eugenie. Aude and called “Grand Coteau.” In 1837 St. Charles College was built. The settlement that grew up around the two schools was originally called “St. Charles Town,” but later became known | as Grand Coteau, the name it still holds today.
Opelousas Place Name
photo Pete Gregory |
Olivier Plantation
OLIVIER PLANTATION HOUSE on Bayou Bourbeaux in Prairie des Femmes, as viewed here, shows it to have been a typical river plantation house that was similar to those built by most of the early French settlers in Louisiana. The view is-from.the rear and shows the carriage entrance. A pigeoniere stands oneither side of the house. The present Olivier home, which is also a very old one, is said to have been moved out to its present location from the town of Grand Coteau. All of these old photographs loaned to us by the Oliviers are of especial interest in that they are arranged for viewing with a stereoscope, which makes the pictures thus seen three-dimensional -and very sharp and clear although they are yellowed with age.
KING COTTON Goes To J & W SIBILLE CO. In Sunset
Saturday, September 14, 2024
Prairie Des Femmes Water Corporation
Prairie Des Femmes Water Corporation constructs and operates a water distribution system within and for that part of the area within the confines of St. Martin Parish lying within the following area:
Beginning at a point which is the confluence of Bayou Carencro, Bayou Fuselier and the Vermilion River; said point also being the common boundary of St. Landry Parish, St. Martin Parish and Lafayette Parish; thence following the meanderings of Bayou Fuselier in a northerly direction to its intersection with Bayou Bourbeaux; thence following the meanderings of Bayou Bourbeaux in a northwesterly direction to its intersection with the centerline of Louisiana Highway 93; thence in a westerly direction along the centerline of Louisiana Highway 93, a distance of 5,400 feet; thence in a due north direction for a distance of 7,000 feet to Bayou Bourbeaux; thence following the meanderings of Bayou Bourbeaux in a northwesterly direction to its intersection with Coulee de Marks; thence following the meanderings of Coulee de Marks in an easterly than a south-easterly direction to its intersection with Bayou Fuselier; thence following the meanderings of Bayou Fuselier in a south-easterly direction to its intersection with the western corporate limits of the Town of Arnaudville; thence southerly along the western corporate limits line and a projection thereof to the intersection with the centerline of Bayou Pont Brule; thence following the meanderings of Bayou Pont Brule in a southwestern then southerly direction to its intersection with the Lafayette Parish-St. Martin Parish Line; thence westerly along said parish boundary line to its intersection with the centerline of the Vermilion River; thence following the meanderings of the Vermilion River in a north-westerly direction to its intersection with Bayou Carencro and Bayou Fuselier which is the point of beginning.
Write up from Botanica
Life Everlasting | Pseudognaphalium obtusifolium
Ashlee Wilson, 2024
Installation
In "Café des Exiles," George Washington Cable reports,
"An antiquated story-and-a-half Creole cottage sitting right down on the banquette, as do the Choctaw (women) who sell bay and sassafras and life-everlasting."
What was this old herb the Choctaw women sold while sitting on the banquette in New Orleans? Used by traiteurs in down the bayou communities for centuries, life everlasting known also as fragrant rabbit tobacco and vinéraire is revered for her healing properties, as well as a distinct syrup smell. Indigenous people of this land used her as a sweat lodge and funerary herb, smudge, lung and skin healer, as well as psychological aid. She is a spirit plant and integral part of smoking blends of the Americas. In Creole culture, she was used as a remedy for fever.
Living in southwest Louisiana, I was told that vinéraire was a "lost" plant, her absence a sign of the impact of saltwater intrusion and habitat destruction. But in 2011, a patch appeared at my home, Prairie des Femmes (Prairie of the Women), in St. Landry Parish. I first realized vinéraire was growing by smelling its fragrance. I often say she's smart like a chaoui (racoon). If you leave food out and make a habitat for it, she will follow you around. A mid-successional species, she can appear when a prairie begins to heal, coming back to its original vitality. The quest to identify and grow her has given me what feels like a secret wink from the universe.
From the first three volunteer plants, there are now over 200. I celebrated every new plant, complimented her, called her "darling," manicured the caterpillars, cleared the weeds and protected her from poison as well as from man's cruel blade. The plants multiplied and they got bigger. In addition to making medicines, I save the seeds and share them with native women, and all those who need it, in an effort to return this important healing herb to the land and people of south Louisiana.
edited by Rachel Breunlin
The Prairie Has a Memory Ashlee Wilson, 2024
Ashlee Wilson is a Ville Platte native and self-taught Louisiana French speaker. She is a teacher and artist known for her writing, photography and visual journals that document her acquisition of Louisiana French, as well as native plants and folk herbalism. She is the creator of the Prairie des Femmes blog (2012), an online space that documents this historical prairie's daily life, as well as The Plains of Mary (2014) and the Ô Malheureuse collection (2019 UL Press). She teaches French at the Academy of the Sacred Heart at Grand Coteau.
The Prairie Has a Memory is an homage to her home, La Prairie des Femmes (Prairie of the Women), in St. Landry Parish. Found in records since the mid to late eighteenth century, the land is located in an area of high native traffic near the boundaries of the Attakapas-Ishak and Opelousas territories, just east of the sacred hills of Grand Coteau. A former sweet potato farm, for more than twenty years, Ashlee has cultivated plants and knowledge of the prairie with her family as an act of restoration- planting native species, and implementing a plan to minimally mow, periodically burn, and forgo poison on the land.